Showing posts with label Frank Frazetta. Show all posts
Showing posts with label Frank Frazetta. Show all posts

Friday, February 10, 2012

Frank Frazetta Obituary (1928-2010)

Though Frank Frazetta died nearly two years ago, I wanted to share his obituary with you because it contains so much about his life and his art.  Most of you will know him for his famous art concerning Conan the Barbarian.  But he was also very involved with Warren Publishing, which we have just tackled in the last four postings.  If you are interested in seeing more of Frank's work, visit the Unofficial Frank Frazetta Fantasy Art Gallery.  Enjoy this celebration of a great comic artist and painter.



May 10, 2010

Frank Frazetta, Illustrator, Dies at 82; Helped Define Comic Book Heroes
Frank Frazetta
By Bruce Weber and Dave Itzkoff


Frank Frazetta, an illustrator of comic books, movie posters and paperback book covers whose visions of musclebound men fighting with swords and axes to defend scantily dressed women helped define fantasy heroes like Conan, Tarzan and John Carter of Mars, died on Monday in Fort Myers, Fla. He was 82.

The cause was complications from a stroke, said Rob Pistella and Stephen Ferzoco, Mr. Frazetta’s business managers.

Mr. Frazetta was a versatile and prolific comic book artist who, in the 1940s and ’50s, drew for comic strips like Al Capp’s “Lil’ Abner” and comic books like “Famous Funnies,” for which he contributed a series of covers depicting the futuristic adventurer Buck Rogers.

A satirical advertisement Mr. Frazetta drew for Mad earned him his first Hollywood job, the movie poster for “What’s New Pussycat?” (1965), a sex farce written by Woody Allen that starred Peter Sellers. In 1983 he collaborated with the director Ralph Bakshi to produce the animated film “Fire and Ice.”

His most prominent work, however, was on the cover of book jackets, where his signature images were of strikingly fierce, hard-bodied heroes and bosomy, callipygian damsels in distress. In 1966, his cover of “Conan the Adventurer,” a collection of four fantasy short stories written by Robert E. Howard and L. Sprague de Camp, depicted a brawny long-haired warrior standing in repose on top of a pile of skeletons and other detritus, his sword thrust downward into the mound, an apparently naked young woman lying at his feet, hugging his ankle.

The cover created a new look for fantasy adventure novels and established Mr. Frazetta as an artist who could sell books. He illustrated many more Conan books (including “Conan the Conqueror,” “Conan the Usurper” and “Conan the Avenger”) and works by Edgar Rice Burroughs (including “John Carter and the Savage Apes of Mars” and “Tarzan and the Antmen”).

“Paperback publishers have been known to buy one of his paintings for use as a cover, then commission a writer to turn out a novel to go with it,” The New York Times reported in 1977, the same year that a collection of his drawings, “The Fantastic Art of Frank Frazetta,” sold more than 300,000 copies.

Frank Frazzetta was born in Brooklyn on Feb. 9, 1928, and as a boy studied painting at a local art school. (Early in his career, he excised one z from his last name because “with one z it just looked better,” Mr. Pistella said. “He said the two z’s and two t’s was too clumsy.”)

Mr. Frazetta began drawing for comic books of all stripes — westerns, mysteries, fantasies — when he was still a teenager. He was also a good enough baseball player to try out for the New York Giants.

The popularity of Mr. Frazetta’s work coincided with the rise of heavy metal in the early 1970s, and his otherworldly imagery showed up on a number of album covers, including Molly Hatchet’s “Flirtin’ With Disaster” and Nazareth’s “Expect No Mercy.” Last year, Kirk Hammett, the lead guitarist for Metallica, bought Mr. Frazetta’s cover artwork for the paperback reissue of Robert E. Howard’s “Conan the Conqueror” for $1 million.

Conan the Barbarian by Frank Frazetta

Mr. Frazetta married Eleanor Kelly, known as Ellie, in 1956. She served as his occasional model and as his business partner; in 2000 she started a small museum of her husband’s work on their property in East Stroudsburg, Pa. She died last year.

Mr. Frazetta is survived by three sisters, Carol, Adel and Jeanie; two sons, Alfonso Frank Frazetta, known as Frank Jr., and William Frazetta, both of East Stroudsburg; two daughters, Heidi Grabin, of Englewood, Fla., and Holly Frazetta, of Boca Grande, Fla.; and 11 grandchildren.

Vampirella Archives HC Collection

Vampirella Archives Vol. 1, cover art by Frank Frazetta

Warren Publishing Continued ... Part 4

In 1967, Warren Publishing underwent something of a crisis.  They were short on funds, writers and artists came and went.  Instead of new stories, reprints often had to suffice for both Creepy and Eerie.  This was known as a dark period for Warren.

But in 1969, things began to look up for the publisher.  A new influx of cash, new writers and artists, plus returning of old ones heralded a new day.  But what really signaled a change in fortune for James Warren and Company was the launch of the third horror magazine - Vapirella.

Vampirella was the creation and collaboration of Forrest J Ackerman, friend and fellow publisher with Jim Warren, and Trina Robbins.  Forrest wrote the first story and Trina designed the distinctive hairstyle and skimpy costume of Vampirella.  Like Uncle Creepy and Cousin Eerie, Vampirella was to serve as host for the new magazine, but soon she became so popular that she became a character within the stories of the magazine.

Vampirella was no ordinary vampire.  She was an alien.  Born on the planet Drakulon, she came from a race of vampires who were sustained by rivers of blood which ran throughout the planet.  But alas, because of the twin suns of her solar system, the planet was doomed.  Vampirella survived when an American astronaut landed on her planet.  When she discovered that blood ran through the veins of human beings, she commandeered the space craft and returned to Earth.  Soon, she became a "good" vampire and frequently did battle with the forces of evil.

Vampirella was a success.  Like Creepy and Eerie before it, the magazine drew some of the finest talent of the day: Archie Goodwin, Frank Frazetta, John Severin, Alex Toth, Carmine Infanto, Russ Heath, Doug Moench, Bernie Wrightson, Barry Windsor Smith, Jose Gonzales, Frank Brunner, Mike Ploog, Wally Wood and a host of others.  Also, there was a period when a number of Spanish artists were employed.
Frank Frazetta's rendition of Vampirella

Vampirella, like her sister magazines, had a very good run, which ended in 1983 when Warren Publishing went into bankruptcy.  Harris Publications obtained the rights to Warren's library and titles in August of that year.  After a protracted lawsuit, Jim Warren regained the rights to Creepy and Eerie, but not Vampirella.  This remained a Harris property until 2010 when Dynamite Entertainment secured the rights to the character, title, and past magazine publications.  Fortunately, like Dark Horse with Creepy and Eerie, Dynamite Entertainment began to publish the entire Vampirella archives in hardback form in January 2011, featuring the first seven issues.  Three volumes have been published thus far and Vol. 4 is due soon.

Eerie Archives HC Collection

Eerie Archives Vol. 1; Cover painted by Frank Frazetta

Warren Publishing Continued ... Part 3

Warren Publishing's second venture in the the horror genre was the sister magazine to Creepy - Eerie.  Like Creepy, Eerie was a large format, black and white horror anthology published on a bi-monthly basis.  First published in early 1966, it's premier issue had a limited run of about 200 copies.  Archie Goodwin and Gasper Saladino virtually created Eerie overnight in order to establish Warren as a serious publishing company.  Publication of Eeire began in earnest with the second issue in March 1966.

Like Creepy, Eerie had an ogre-like host, Cousin Eerie, created by Jack Davis.  Warren likened Uncle Creepy and Cousin Eerie to Boris Karloff and Peter Lorre.  He felt that Creepy magazine needed a counterpart to play off of.

Cousin Eerie by Jack Davis
Once again, lightening struck and Warren Publishing had another success.  Though Warren was instrumental in the success of his magazines, he took care to make the comic creators the real stars.  Like Creepy, Eerie was equally blessed with great talent, many at the top of their game: Archie Goodwin, Jack Davis, Frank Frazetta, Gene Colon, Gray Morrow, Joe Orlando, Angelo Torres, Alex Toth, Wally Wood, Al Williamson, Neal Adams, Steve Ditko and many, many more.

Eerie lasted until Warren Publishing went into bankruptcy.  The last issue, #139, was published in February 1983.  Fortunately, Eerie and other Warren Publications were acquired in 2007 by New Comic Company LLC, which then merged with Dark Horse.  Dark Horse is currently in the process of reprinting the entire run of Eerie in hardback archive editions.  The first of these editions was published in 2009.  They are absolutely gorgeous and restore the glory that once was Warren Publishing.  See for yourself in a local bookstore near you.

Creepy Archives HC Collection

Creepy Archives Vol. 1; Cover painted by Frank Frazetta

Warren Publishing Continued ... Part 2

Warren Publishers first break-out success was Creepy in 1964.  It was published in magazine format, larger than that of regular comics.  It also cost $.35 as opposed to the usual $.12.  It was published in glorious black & white which brought a unique atmosphere to the horror tales contained within.

Originally published quarterly, because of popularity it quickly moved to a bi-monthly basis.  Jim Warren was more than just a publisher, he was very hands-on in his approach to Creepy.  One of his best assets was luring some of the best writers and artists at the time to work for him.  Much of the early success of the horror magazine was the leadership of Archie Goodwin, who came on as editor in 1965.  Some of the writers and artists who worked for Warren Publishing over the years include: Alex Toth, Frank Frazetta, Joe Orlando, Wally Wood, Neal Adams, Steve Ditko, Angelo Torres, Al Williamson, Carmine Infanto and too many others to name.

Uncle Creepy
This 48-page horror magazine was hosted by none other than Uncle Creepy, who introduced stories and generally guide the reader through the issue.  Creepy was not just EC Comics resurrected under another name, it was it's own creation.  That said, it did employ some of the storytelling techniques that has mad EC Comics so popular.

Creepy debuted in late 1964 and ended in February 1983, with a total run of 145 issues.  These issues are now very rare and hard to come by.  Fortunately, a group of creators and investors, New Comic Company LLC, reached a deal with Jim Warren in 2007 acquiring all rights to publication for Creepy, as well as it's sister magazines, Eerie and Vampirella.  They soon merged with Dark Horse and in 2008, the first archive edition of Creepy was published, containing the first five issues of the magazine.  These hardback archived editions are absolutely beautiful.  Check them out for yourself.